Deadly Sweet

Before his name became synonymous with arty, raunchy erotica, young Giovanni Brass wanted to be Michelangelo Antonioni. Antonioni‚Äôs controversial, challenging sort-of, not-really giallo Blow-Up blew up around the same time Brass was entering his formative cinematic years. All of Europe was being swept up by a burgeoning youth counter-culture, and emerging filmmakers of the time were notContinue reading “Deadly Sweet”